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Spotify is ending production of several of its live audio shows

14.12.2022 — Spotify looks to be scaling back its live audio ambitions, as the company is ending production of several of its live audio shows.

Spotify brings live audio shows to its main app, rebrands …

12.4.2022 — While both apps will now feature live content, there will be some differences, the company told TechCrunch. Spotify Live will continue to work …

Spotify Live – Wikipedia

Spotify Live, formerly Spotify Greenroom, is a social audio app from Spotify, which allows the user to host or participate in a live-audio virtual …

Spotify revamps in-app concert discovery with new Live …

Open App. Live on Spotify. Listen Live Today … Internet People Live. Let’s Talk Music. Super Soundtrack … New Joints Live! True Crime & Scary Stories …

Live on Spotify

Sarah Perez Archive | REDEF

As an earlier report had suggested, Spotify today announced it will integrate the live audio capabilities from its companion app, Spotify Greenroom, within the …

Sarah Perez Archive – REDEF

Techmeme: Spotify rebrands companion app Spotify Greenroom as Spotify Live and integrates its live audio capabilities in the main app minus the interactive features (Sarah Perez/TechCrunch)

12.4.2022 — Sarah Perez / TechCrunch: Spotify rebrands companion app Spotify Greenroom as Spotify Live and integrates its live audio capabilities in the …

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Top News – Techmeme

Spotify – Wiki | Golden

Spotify acquires live audio app Locker Room creator Betty Labs to launch its own Clubhouse competitor. February 22, 2021. Spotify announces beta launch of …

A platform for listening to music and podcasts.

Spotify – Wiki – Golden

Spotify – Crunchbase Company Profile & Funding

Spotify is a commercial music streaming service that provides restricted digital content from a range of record labels and artists.

Spotify – Crunchbase Company Profile & Funding

Rethinking the Music Business: Music Contexts, Rights, Data, and COVID-19 – Google-kirjat

COVID-19 had a global impact on health, communities, and the economy. As a result of COVID-19, music festivals, gigs, and events were canceled or postponed across the world. This directly affected the incomes and practices of many artists and the revenue for many entities in the music business. Despite this crisis, however, there are pre-existing trends in the music business – the rise of the streaming economy, technological change (virtual and augmented reality, blockchain, etc.), and new copyright legislation. Some of these trends were impacted by the COVID-19 crisis while others were not. This book addresses these challenges and trends by following a two-pronged approach: the first part focuses on the impact of COVID-19 on the music business, and the second features general perspectives. Throughout both parts, case studies bring various themes to life. The contributors address issues within the music business before and during COVID-19. Using various critical approaches for studying the music business, this research-based book addresses key questions concerning music contexts, rights, data, and COVID-19. Rethinking the music business is a valuable study aid for undergraduate and postgraduate students in subjects including the music business, cultural economics, cultural management, creative and cultural industries studies, business and management studies, and media and communications.

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